Thursday, 1 May 2025
Bealtaine Party Tuesday May 6th
Thursday, 24 April 2025
Sacred Songs and Sounds at the Cathedral in Cavan
Friday, 18 April 2025
Cavan Singers featured as ARTS+HEALTH Case Study
Cavan Singers are delighted to be featured as ARTS+HEALTH Case Study for April 2025.
About Arts+Health
Cavan Singers are delighted to be the subject of the Arts and Health Case Study published in April 2024. This highlights both the contribution that singing together has made to individual members of our choir, and the contibution that our choir as a collective has made to our community in the forty years since we were founded. The findings survey of our memebr carried out in 2024 are presented in the context of those forty years we have been singing together. You can read it, and all case studies logged since 2011, here, and you can watch our presentation in the. Johnstone Central Library here. It is nice to think that the video taken by the late Brian Daly, who was so generous with his time and talent on our behalf, is now linked to this Arts & Health website.
Sunday, 16 February 2025
Go go go Sue (and company!)
Cavan Institute gave us all a treat this week with a marvelous production of Joeslph and the Amazing Technicolor Dreamcoat. Our own Sue Donohoe was Musical Director of the production (and orchestra conductor on the night) and some of our Cavan Singers were in the singing chorus. Acting, singing, choreography, music, staging were all a delight. It was lovely to see the entire Cavan Instiute involved in the production. Definitely a treat for the audience, a lot of whom seemed to know every word! It was also good to see the enjoyment of the younger folk who were seeing this show for the first time. A huge thank you to all involved.
Sunday, 1 December 2024
A Christmas Recital in aid of Cuan
Sunday, 17 November 2024
Cavan Singers at LisbonSings2024 festival
We arrived in Lisbon VERY early on Thursday Nov 7th. We settled in, had a late lunch (where we happened upon the Hungarian ladies and Zimbabwean children's choirs), we wandered and rested and found our bearings around the Masa Hotel in the Gran Campo area of the city. In the evening at Aula Magna of the nearby University was the Opening Cenromony and Concert, where several of the choirs from all over the world sang for us and each other. The venue was very close to the hotel, and we could walk back and forth over our few days there.
On Friday we went on a bus tour of the city which gave us a taste of the sights we would return to over our few days there. Then we shared lunch together near the old bullring, and strolled back to the hotel. Later Friday we rehearsed back at the hotel with our musical director Eileen Tackney, and walked together to the venue for out first performance. This was in a "Friendship Concert". Four choirs (from Portugal, Austria, Ireland, and Brazil) sang three pieces each, and in between these, each judge took a turn leading the audience in learning and singing a song from their culture - Slovenia, Norway, and Portugal. We were the final choir to sing, and it seemed well received by the audience, especially our own supporters - it was great to look out from the stage and see the tricolour aloft in the auditorium! Our pieces for this performance were
- Cantar [Althouse]
- Siul a Ruin [Trad. arr McGlynn] (Solo: Martina Lee Boyle, Descant: Áine Duffy)
- The Rhythm of Life [Coleman & Fields]
> middle row: Phyllis McMonagle, Rachael Cullivan Elliot, Carmel Gaffney, Carmel Lewis, Clare Crowe, Mary Lou O'Reilly, Kevin O'Connor, Brian McKeever, Claire Finlay, Rita Cullen, Nora Kennedy, Brid Brady, Mary Sullivan, Gay Fannon
> back row: Mairead Conaty, Áine Sullivan, Yvette von Cramon, Pamela Young, Dara Hume, Fidelma Sheridan, Paula O'Neill, Fiona Flynn, Jennifer McEntee, Lucilla O'Hanlon, Gráinne Tierney, Tina Farrelly
Early Sunday morning we returned to the Aula Magna for our Evaluation with the three judges. This turned out to be a mini-workshop for us all. After we sang our three. pieces, the jusdges retired for a short time, then returned and gave us some very helpful feedback, and each did a short revision exercise with us. This was a new new experience for us, and very beneficial. Our programme for evaluation was
- Cantique de Jean Racine [Fauré]
- Fly Me To The Moon [Howard]
- All That Jazz [Ebb & Kander]
- Siul a Ruin [Trad. arr McGlynn] (solo Martina Lee Boyle, descant Áine Duffy)
- The Rhythm of Life [Coleman & Fields]
- Oh Danny Boy [Wetherby]





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